CAB Update – June 2025

The Copyright Amendment Bill hit the Constitutional Court—here’s what went down (and what could come next).

It’s been on a long and winding road with the Copyright Amendment Bill (CAB) and on May 21st and 22nd, 2025, a truly historic chapter unfolded as the Bill faced the highest court in the land: the Constitutional Court. The CAB’s journey began more than 10 years ago, aiming to modernise South Africa’s 1978 Copyright Act for the digital age. The constitutional hearing came about as a result of the President’s referral of the Copyright Amendment Bill to the Constitutional court. Historically, there have been very few Bills that have been referred by the President to the constitutional court. This leaves us with very little precedent to go on, for what we can expect from this kind of process. Nonetheless, we have prepared some of the essential highlights of what you should know on what has transpired thus far.

What Happened at the Constitutional Court?

Over the course of the two days, these were main points of argument:

  • Whether copyright can be considered property in terms of Section 25 of the Constitution,
  • Whether the Bill might lead to arbitrary deprivation of property because of fair use,
  • Whether the Bill would have Retrospective effect (i.e. whether the requirements would be applicable to old contracts),
  • Whether the Bill breaches our international treatise obligations, especially the Berne Convention, which covers a test for whether a copyright use requires a licence and payment

Various amici curiae (‘friends of the court’) made submissions, and initially only very limited opportunity to present orally was granted by the Court, and those accepted parties were arguing in favour of Fair Use. However, it became clear that the judges were not satisfied with arguments presented by the fair use advocates, and the other amici were given an opportunity to speak.

A Lack of Evidence for Those Speaking in Favor of “Fair Use”

The scope of the President’s referral was questioned, as well as the need for evidence from either side arguing for and against the passing of the Bill. It became apparent to the MPA SA that those against fair use (see article breakdown for explanation on “fair use”) were the only side to have presented proper evidence. The advocate for Adams & Adams pointed to compelling evidence that shows how the Bill falls foul of our international treatise obligations, as well as the terrible impact the bill would have on book publishers, showing that this had not been properly considered by parliament.

The fact that there was never a proper SEIAS done (Socio-economic Impact Assessment) speaks to the irrationality of the process leading to the final Bill, but the Constitutional Court judges were concerned that this might not be considered in the scope of the hearing. However, there were compelling arguments that it clearly should be.

“It’s important to remember that copyright laws must balance the rights and requirements of creators & rights holders on the one side, and users on the other. Fair Use in the bill is extremely broad, which means for example that if a user doesn’t licence a song, they might too easily just say ‘this was fair use’, and the creators and rights holders have to take legal action to prove them wrong. There is no history in the courts for fair use cases, and the composers and rights holders will be at a serious disadvantage especially given the power and resources of Big Tech. The MPA SA strongly feels that the Bill favours users far too much, even though the objective of the bill was and is to address the plight of creators. The President specifically said in his referral that there is no evidence that fair use is required, and therefore no reason to add it. The MPA SA believes that evidence for the inclusion of fair use was not sufficiently provided to the court.” – MPA SA
A courtroom with brick walls and a curved ceiling, filled with people seated at desks. Sunlight streams through high windows. A large South African flag hangs on the left. The atmosphere is formal, with attendees focused on proceedings.

What’s Next for the Future of our Industry?

At the end of the two days, judgement was reserved by the Court, meaning that we now await an outcome.

The following options exist for the court for the outcome:

  1. That the Bill is unconstitutional and must be returned to Parliament. It was shown that even if one provision is unconstitutional, then the whole bill must be returned.
  2. That all provisions in the Bill are constitutional. Then the President will need to sign the Bill into law and there will be a compliance period, and further opportunity to challenge the Bill again through the High Court or by Parliamentary majority. But the challenge cannot be on the same grounds as what was already tested by the Constitutional Court.
  3. That there is no decision due to lack of evidence. The President would then have to sign the bill into law. It can then be challenged again in the High Court, and on any reasonable grounds.
  4. The MPA SA believes that the evidence pointing to the Bill being returned to Parliament was convincing, and that the Bill should be corrected to safeguard composers and rights holders against unfair exploitation.

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